Dmytro Kokoshynskyy
Photo by Pablo Valetti

Dmytro Kokoshynskyy / harpsichord

DIALOGUES OF THE PAST

Jean-Philippe Rameau
from Premier Livre de Pièces de Clavecin: Prélude

Domenico Scarlatti
Sonata in A minor, K. 54

Jean-Philippe Rameau
from Nouvelles Suites de Pièces de Clavecin RCT 5
Suite in A minor: Sarabande

Domenico Scarlatti
Sonata in C-sharp minor, K. 247

Jean-Philippe Rameau
from Pièces de Clavecin
Suite in E minor, RCT 2: Musette en Rondeau

Domenico Scarlatti
Sonata in E major, K. 531
Sonata in B minor, K. 87

Jean-Philippe Rameau
from Pièces de Clavecin
Suite in E minor, RCT 2: La villageoise
from Nouvelles Suites de Pièces de Clavecin RCT 5
Suite in A minor: Gavotte and 6 Doubles

Johann Kuhnau
from Musicalische Vorstellung einiger biblischer Historien: Sonata IV

Johann Sebastian Bach
Italian Concerto, BWV 971

INSIGHTS

Dmytro Kokoshynskyy

Accessibility

Dmytro Kokoshynskyy / harpsichord

DIALOGUES OF THE PAST

Jean-Philippe Rameau
from Premier Livre de Pièces de Clavecin: Prélude

Domenico Scarlatti
Sonata in A minor, K. 54

Jean-Philippe Rameau
from Nouvelles Suites de Pièces de Clavecin RCT 5
Suite in A minor: Sarabande

Domenico Scarlatti
Sonata in C-sharp minor, K. 247

Jean-Philippe Rameau
from Pièces de Clavecin
Suite in E minor, RCT 2: Musette en Rondeau

Domenico Scarlatti
Sonata in E major, K. 531
Sonata in B minor, K. 87

Jean-Philippe Rameau
from Pièces de Clavecin
Suite in E minor, RCT 2: La villageoise
from Nouvelles Suites de Pièces de Clavecin RCT 5
Suite in A minor: Gavotte and 6 Doubles

Johann Kuhnau
from Musicalische Vorstellung einiger biblischer Historien: Sonata IV

Johann Sebastian Bach
Italian Concerto, BWV 971

What might Rameau and Scarlatti have said to one another had they shared the same harpsichord? And what kind of musical dialogue might have emerged between Kuhnau and the young Bach?

These questions lie at the heart of Dialogues from the Past, the recital in which Ukrainian harpsichordist Dmytro Kokoshynskyy imagines unexpected encounters across time, creating a programme that brings together composers connected by affinities, influences, and striking musical resonances.

Kokoshynskyy invites us on his own journey through history, reimagining the repertoire as it was approached during the early twentieth-century revival of the harpsichord. By assembling new suites from existing works, he allows each piece to illuminate the next, revealing fresh perspectives and hidden connections.

An invitation to experience early music not as a relic of the past, but as a living art—one that still has the power to surprise us today.

INSIGHTS

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Rates details

Numbered seat: €15
Unnumbered admission: €12 (available in person only, from 30 minutes before the concert begins)
Discounted numbered seat – Abbonamento Musei Piemonte Valle d’Aosta: €12
Discounted numbered seat (under 30): €10